2008 |
|
|
 |
Light of the World
Images of light permeate
the verses of scripture, the prayers of the church, and the church’s
hymnody. Sometimes that light is literal, as in God’s command in Genesis
1, “Let there be light!” But that light is often figurative, a symbol for
goodness, for truth, for God. For instance, the Advent Collect, echoing
Paul’s words in Romans 13:12, admonishes us to “cast away the works of
darkness and put upon us the armor of light.”
Curator: Margaret
Adams Parker |
|

|
Portraits
of the Self
From
the introspective nature of self-conception to the
outward-looking nature of creating visual art, from
revealing to concealing identity, self-portraiture
is characterized by persistent contradiction. Honesty
and deceit each play their part in facing the Self
with its deep hidden truths, and in sharing these personal
discoveries with others.
Curator: David C. Hancock
|
2007 |
|
|
Feasts
for the Eyes The
feasts of the church year create a rhythm of rituals
mirroring our common journey. That rhythm is a persuasive
aspect of the choreography they have provided for generations.
It is no surprise that the artists in this exhibition have "made
visible" the spiritual component of the Feast experiences.
Curator: Judith McManis
|
|
 |
Image and Likeness
For this exhibition, artists were invited to observe Christ’s
presence in the world in which we find ourselves. Of the work
represented here, Curator Carole Baker says the artists "reveal the
varied and apparently random ways Jesus makes himself present in our
lives. Some reflect mountaintop experiences while some reflect the truth
witnessed on the cross. But they share the understated affirmation that
God continues to use artists to see and show the mysterious ways Jesus
participates in all aspects of our lives."
Curator: Carole Baker |
2006 |
|
|
 |
Unto
Us a Child is Born ponders this mystery through the creative gift of art. Looking at these
works, taking them in with a contemplative eye and heart, one begins to
cross the boundary between this world and the world of spirit. It
is from this world of spirit and devotion that these works of art
originate. ...Yet all reflect the creative
imagination of souls seeking and embracing the mystery of God coming to
dwell in our midst, Emmanuel!
Curator:
The Rev. Wilfredo Benitez-Rivera |
|
 |
Visio Divina: Visual Art and
Spiritual Formation
"The Holy Spirit speaks many languages, among them the language of art
in all its forms." With these words, Frank Tracy Griswold, 26th
Presiding Bishop and Primate of the Episcopal Church opens our
understanding of what the role of art in a life of faith might be, and
what it might become. This exhibition showcases seven Episcopal
communities across the United States where the visual arts nurture
people's spiritual lives.
Curator: Mel Ahlborn |
|
 |
Visual Preludes 2006
ECVA, in partnership with the Office of General Convention of the
Episcopal Church, has created the Visual Preludes for General
Convention 2006 in Columbus, Ohio. The Visual Preludes will be used
to create an atmosphere for worship appropriate to the theme of each
day's service using images of original art as projected videos.
Gathered here for this online exhibition are the still images
selected for the Visual Preludes.
Curators: Brie Dodson (painter),
Jan Neal (digital artist),
Anne
Wetzel (photographer) |
2005 |
|
|
 |
Venite
Adoremus
Join us in a celebration of the church year from Advent through
Christmastide to Epiphany. "The hymns we sing during these seasons are
so much a part of our experience of the church year as their words and
music have settled into our bones through years of singing in
anticipation and joyful celebration and deeper awareness which comes
through this time of the year." Artists were asked to respond to these
hymns and provide works of art to guide us into worship of our Lord
during this wondrous time of the year. Venite
Adoremus—O come let us adore him.
Curators: Griffin and Frank
Logue (photographers) |
|
 |
Illustrating the Hours
For this exhibition,
we find artists
exploring the Daily Office
– prayers
offered for Morning, Noonday, Evening, and Compline. Curator Jan Neal
explains, "The Daily Office teaches us that every day is a day for
common supplication. The need may be revealed more clearly at times of
grief, but during all times the need to return time to God is equally
great." Here we find works of art representing the Hours and what these
appointed times of prayer mean to the artists. There
is also
a background into the history of the Daily Office.
Curator: Jan
Neal (photographer) |
|
 |
Spirit's Fire Two thousand years ago, as the apostles gathered in Jerusalem, the
Spirit descended upon them "like a rushing mighty wind," flickering
in dancing flames upon their heads. It left them with the gift of
tongues, and filled them with evangelical fire. Curator Brie Dodson
has chosen work "in hopes of evoking the Spirit's presence in our
world. No two of us define or experience that presence in the same
way. Perhaps we each meet the unknowns of the holy in the native
language of our own heart."
Curator: Brie Dodson
(painter) |
|
 |
Behold All Things New An
exhibition featuring work that was influenced by today's
political, social, or economic issues. Curator The Rev. Gurdon
Brewster invites us to "Look at these images: hope and longing, grief
and joy, prayer and gratitude, outrage and compassion ...and ask
questions for yourself about what visual art in our time might
contribute to the world and to those on a faith journey who seek to
deepen their trust in reconciliation and hope as well as to enliven
their compassionate engagement in the world."
Curator:
The Rev. Gurdon Brewster (sculptor) |
2004 |
|
|
 |
Art and Faith: A Spiritual
Journey A new exhibition that allows the artist to express how art and faith
are intertwined in their lives by including personal (and
sometimes intimate) stories along with their art. As one observer
described it, "a feast for the eyes and the heart".
This exhibition shows the work
of 24 artists, and is also available in
streaming video.
Curator: Krystyna Sanderson
(photographer) |
|
 |
Inside-Outside: Work from
ECVA Chapters
Great art and faith are the products of community.
This
exhibition highlights the work of ECVA Chapters. Chapters are
associations of visual artists within the ECVA community who meet in
fellowship to discuss art in the Episcopal Church and in the world, and
to share in their creative efforts.
Curators: Thomas Faulkner
(sculptor) and
Bradford Johnson
(painter) |
|
 |
Walking the Way of the Cross
The Way of the Cross was developed as a devotion
by pilgrims to Jerusalem whereby prayers were offered at
“stations” or sites associated with Jesus’ Passion and
Death. This exhibition features a new sculptural
interpretation of The Way of the Cross by
sculptor:
Thomas
Faulkner |
2003 |
|
|
 |
Surprised by Joy
Fourteen artists share their interpretations of the
Advent theme, Surprised by Joy.
The Rev. Cameron Miller writes in the exhibit's
introduction, ".
. . our effort is to create an atmosphere in which
people feel safe to open themselves to the unexpected
and then provide a format and content that evokes the
holiness within."
Curator: Mel Ahlborn (manuscript
illuminator) |
|
 |
Lift Up Your Hearts!
The works in this exhibition are just such a response
–
a lifting up of hearts to the Lord. They are chosen
because they each express one of the charismas
of the Episcopal Church
–
the particular gifts of the Church that are to be given
away.
Curator: Susan Dixon
(art historian) |
|
 |
Walking the Way of the Cross One
Lenten devotion known as The
Way of the Cross, has its roots in pilgrim visits to
Jerusalem. This exhibition is a presentation of the
works of selected Episcopal artists in their attempt to
render
–
in a
variety of media
–
their
interpretations of The Way
of the Cross. This art presents a wide range of
visual images employed representing quite different
artistic styles and theologies.
Curator: Thomas Faulkner
(sculptor) |
2002 |
|
|
 |
A New Light: The Collects of Advent, Christmas, and Epiphany
The 16 collects that make up these weeks of the
liturgical calendar are powerful entreaties to a
merciful God for such things as grace, illumination,
restoration, peace, love, light and strength in darkened
world.
Curator: Bradford Johnson
(painter) |
|
 |
Art/Community/Story
The intent of any work of art is to inspire, to move us,
to touch us, to portray a message. This is especially
true when art is used in a church. But at the fifteen
church communities presented in this exhibition, it is
not so much who the artist is or whether the artist is
famous that makes the work important – it is because the
work provides a special link to an event or a person
associated with the church or community.
Curators: Susan Dixon
(art historian) and
Dan
Hardison (photographer) |
|
 |
Illuminating the Word
Scribes have worked in service to the Word since the
dawn of Christianity. In this exhibition
you will see each artist weaving sacred words into their
art –
thirteen modern scribes are
exhibiting their visible response to Biblical or
liturgical text.
Curator: Mel Ahlborn
(manuscript illuminator) |
|
 |
Since September 11th ...
This exhibition presents artistic responses to the
events of September 11th, 2001. It is hoped that these
images will touch the lives of viewers, bringing about a
sense of healing, understanding and recognition. It is
also hoped that others will be challenged and encouraged
to find new ways to apply their faith in Christ Jesus
towards reconciliation among peoples of different
beliefs and cultures, and towards a more peaceful and
united world.
Curators:
Krystyna Sanderson (photographer) and
Thomas Faulkner
(sculptor) |
2001 |
|
|
 |
Out of Darkness Into Light
The 20
artists represented in this show demonstrate a wide
diversity in artistic vision and in the perception of
light and dark as physical and spiritual realities.
Light shining in the darkness is a major theme in the
seasons of Advent, Christmas,
and Epiphany. Artists working specifically with light
form an extraordinary partnership with God, the creator
of light.
Curator: Krystyna Sanderson
(photographer) |
|
 |
Icons and Prayers
The practice of icon writing
is upheld by the theological dogma that God created us
in His image and saw fit to redeem the fallen world by
taking on material nature in the Incarnation. Icons echo
that mystery and seek to make a visible connection with
the invisible heavenly realm – after which we in turn
seek to recognize God's image and likeness in this
created world. This exhibition
features 19 artists, some traditional iconographers and
others non-traditional.
Curator: Susan von Medicus
(iconographer) |
|
 |
Banners and Beyond
Fiber art draws from both the fine art and craft
traditions. As a medium, it is accessible to a wider
spectrum of artists than many of the arts associated
with the Church. This show
represents the work of professional artists as well as
amateurs – those who truly love what they do.
Curator: Eliza Linley
(artist) |
|
 |
In the Cross of Christ
The Cross as a central image within the Christian
tradition has evolved into myriad forms. Contemporary
artists have taken this original simple structure and
produced an infinite variety of responses. What has
emerged in recent years is a feast for the eyes. We
welcome you to this banquet.
Curator: The Rev. Gurdon
Brewster (sculptor) |
2000 |
|
|
 |
Substance of Things Hoped For
This exhibition gathers the work of artists from within
the Episcopal Church who are working in a wide variety
of media and different styles: installations that are
part of the liturgical space, icons which are used for
devotion, and many pieces that reflect a more personal
expression in response to the artist's life in Christ.
Curator: Sandra Bowden
(artist) |