Exhibition

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composite photo of the O Antiphon banners
Fabric
28x11 feet

O Sapientia
(at the far left) Ecclesiasticus 24:3

‘O Wisdom, you come forth from the mouth of the Most High, and reach from one end of the earth to another, mightily and sweetly ordering all things.’ Wisdom is feminine – Sophia - and her form is curving and graceful. The Most High gives her voice and she gathers the seven stars which will become the Gifts of the Spirit.

O Adonai
(at the far right) Exodus 3:2, Acts 7:30

‘O Adonai, ruler of the house if Israel, you appeared to Moses in the fire of the burning bush; on Mount Sinai you gave him your law: with outstretched arm, come and redeem us.’ Wisdom mirrors herself and becomes the ruler of the house of Israel. Because complementary colors act as they do, the flames nearly leap off the panel and threaten to devour us; with outstretched arms we are redeemed.

O Radix Jesse
(second from left) Isaiah 11:1, 10

‘O Root of Jesse, you stand as an ensign to the peoples; before you all kings shall keep silence, all nations bow in worship: come and save us and do not delay.’ The ‘roots’ reach entirely through the earth to the ‘Great Abyss’ below; the acts of God begin to fly through the heavens (read streamers) and the potent ‘rod of Jesse’ is drawn upward.

O Clavis David
(second from right) Isaiah 22:22

‘O Key of David, scepter of the house of Israel, you open and no one closes; you close and no one opens; come and deliver us from the chains of prison – we who sit in darkness and in the shadow of death.’ The ‘scepter’ reaches into the earth, hiding the ‘workings of God’ (like a key in a lock) in mystery; but the chains are already separated and broken, becoming elegant swirls as they are driven away.

O Oriens
(third from left) Isaiah, 42:6

‘O Rising Dawn, brightness of the light eternal, sun of righteousness: come and enlighten those who sit in darkness and in the shadow of death.’ The “Morning Star” (Christ) pushes back the layers of darkness, rising through the wisps of fear to dominate the heavens.

O Rex Gentium
(third from right) Isaiah 45:8-13

‘O King of nations and their desire: you are the cornerstone that binds two into one: come and save the creature whom you have fashioned from clay.’ The ‘King’ wears a crown we can see through, has ‘arms’ of fire which reach down to grasp clay from the earth in an act of creation. The nations are lumps, so little is their importance relative to that of God.

O Emmanuel
(center) Isaiah 33:22, 7:14

‘O Emmanuel, our King and Lawgiver, the desire of the Nations and their salvation: come and save us, O Lord our God.’ As each Antiphon references the ‘name’ or ‘title’ given to the Messiah in the Old Testament, so each panel references Christ as the ‘Morning Star’ – a disc of golden yellow which rises toward the center where it bursts into flame as the magnificent Emmanuel, God with us, lighting the world – and beyond.
 

 
     
     
 

Judith McManis

Judith McManis created this set of banners for the Cathedral Church of Saint Paul in Burlington, Vermont. The banners were inspired by the ‘Great O Antiphons of Advent’,’ the text of which has been set many times over the centuries. Probably the most familiar of these settings is in The Hymnal 1982 at no. 56 –‘O Come, O Come, Emmanuel’ which contains the seven most often used. They date from the ninth century at least and some liturgical historians ascribe them to St. Gregory the Great in the sixth century. Although their number has varied, by the Middle Ages seven antiphons were universally accepted, the key words of which, when reversed in order, form an acrostic that fits beautifully into the season: ERO CRAS – “I shall be (with you) tomorrow.” The dates indicated for the use of each antiphon vary as well but conventional practice for centuries has been to begin on December 17. Using this schedule places the ‘O Oriens’ (Rising Dawn) antiphon on December 21, the shortest day of the year!

Before setting out on this visual journey, look at the bottom section of each panel. The Cosmos, the Great Beginning, the Mysterious Unknown, layered with earth, then with life (grass) underlies all that soars above.

My journey with the Antiphons has just begun. These banners were inspired by the text, of course, but also by the many settings of that text by artists and musicians over the centuries. Their music has lifted my journey from an academic process to one of pure joy. I am thankful for the encouragement and support of Canon Presenter, Dr. Mark Howe and many others here at The Cathedral Church of St. Paul, Burlington, VT, in commissioning of these visual expressions of the message of the “O’s”.

These banners were assembled from a wide variety of fabrics and sewn together, both by machine and hand-sewing methods. They each measure 4 x 8 feet and are displayed at varying heights, rising to the middle, which is 11’ from the floor.


Judith McManis has been creating Liturgical Art for more than three decades. The work has been a long-standing passion of hers and is reflected in her business name: Laudata (‘the praised one’). Many of her earlier pieces were commissioned by St. John’s Episcopal Church in Waterbury, CT, and the clergy serving there over the years. After retiring from a career of teaching Studio Art and Humanities in Connecticut, she now lives in the Burlington area with her Jack Russell Terrier, Jasper.

Judith McManis
Email: mcmanis@surfglobal.net

Parish: The Cathedral Church of St. Paul, Burlington, Vermont

 
 
     
 

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©2005 The Episcopal Church and Visual Arts